Quirky equus

An Olaf encore. In researching Clouds, I learned of Breuning’s simultaneous installation for Hermès in the Shibuya Seibu district of Tokyo. Channeling a parallel strain of whimsy, he took Hermès’ equestrian aesthetic to a playful place, fashioning makeshift steeds by draping sheets over indistinguishable structures (Den furniture? Kitchen chairs?). By Breuning’s hand, the brand's venerable horse-drawn carriage becomes rudimentary: four wheels,  thin platform. The bling is in his bold palette; his horses' hairs are loud – canary, cobalt, teal, tangerine – and their googly eyes are fixed on the sidewalk, inviting further rifts on luxury goods and lifestyle. These Céline cuffs seem similarly self-deprecating in their folded forms, at once tactile and tattered and totally perfect.

Desert temporality

  Over time, wind and weather will erode Desert Breath, a breathtaking land art installation in the eastern Sahara desert. Sited at the meeting of mountains and sea, Desert Breath is a monumental meditation on infinity made by D.A.S.T. Arteam – installation artist Danae Stratou, industrial engineer Alexandra Stratou and architect Stella Constantinides. The team spent two years sculpting a pair of interlocking spirals formed by 178 conical mounds and depressions, precise inversions of positive and negative space radiating from a vessel of water. From above, the work presents a visual image, but on the ground, it becomes a physical experience as visitors walk the spiral pathway. So far, Desert Breath has survived seven years of desert conditions, still “becoming through its slow disintegration, an instrument to measure the passage of time,” D.A.S.T. Arteam writes (for a complementary timepiece, this Shinola wrap watch – intrepidly handcrafted in Detroit – seems like the perfect way to mark such stunning temporality). “The project is rooted in our common desire to work in the desert,” D.A.S.T. continues. “In our mind’s eye the desert was a place where one experiences infinity. We were addressing the desert as a state of mind, a landscape of the mind."

NoLa alchemy

Alchemy is at work in New Orleans in the form of a community arts project called Dithyrambalina. Part sonic playground, part performance venue, part conceptual laboratory, Dithyrambalina nurtures musical architecture in NoLa. What is musical architecture? When community arts org New Orleans Airlift first explored the concept through The Music Box: A Shantytown Sound Laboratory, the Smithsonian Magazine offered a defining description: “Rigged by a team of musicians, artists, inventors and tinkers to coax novel sounds from salvaged building materials – musical architecture.” The Music Box embedded instruments within the splintered walls of shacks; imagine playing loose planks like organ keys. The magical miniature village, built by more than 25 artists, electrified the neighborhood: 70-plus world-class musicians played the architectural orchestra, for an audience of more than 15,000 visitors. Critics sung its praises: “A breathtaking feat of DIY engineering, a living, breathing, sound-making member of the neighborhood” (ArtNet); and “Bravo to all of the brilliant builders, musicians and visionaries. The Music Box is many dreams come true” (New Orleans Times –Picayune).

The Music Box has since closed, but this year will see its resurrection in Dithyrambalina, a roving village made up of five playable houses set to visit neighborhoods around the Big Easy and beyond (the ultimate goal: to find a permanent site). The first new house is slated to open by late April, hopefully in time for my first-ever trip to New Orleans. I’m packing this Kaarem dress, a piece channeling the alchemic nature of musical architecture.